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入围塔林电影节影评人之选竞赛。 Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc.) and use the camera in order to reproduce, and those that employ the resources of cinematography and use the camera to create. (Robert Bresson. “Notes on the Cinematograph”, New York Review of Books, 2016)星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院仅此而已惊变28天宫廷斗鸡撕漫男女实习医生格蕾第二季不是但是真的毒魔复仇2023青春期的法国男孩遗留搜查第七季美丽的日子没谈过恋爱的我矿灯一生有你2019女领袖姐妹情仇1972海军罪案调查处第十五季德伯力克惊天铁案国民安保官之绝命护卫开罗紫玫瑰午夜2021伟大的转折1945背着你跳舞医生与刑警的搜查线非法移民出笼马骝粤语沙漠风暴（下）90年代秀 第三季魔法学院之六大令牌阿波罗13号
入围塔林电影节影评人之选竞赛。 Masterfully orchestrated – with only a small budget, the setting basically consisting of a table, two chairs, two persons talking, one mysterious manuscript and some little food in-between – this two-men drama reminds me of Robert Bresson’s famous words about filmmaking: “Two types of films: those that employ the resources of the theatre (actors, direction, etc.) and use the camera in order to reproduce, and those that employ the resources of cinematography and use the camera to create. (Robert Bresson. “Notes on the Cinematograph”, New York Review of Books, 2016)星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院仅此而已惊变28天宫廷斗鸡撕漫男女实习医生格蕾第二季不是但是真的毒魔复仇2023青春期的法国男孩遗留搜查第七季美丽的日子没谈过恋爱的我矿灯一生有你2019女领袖姐妹情仇1972海军罪案调查处第十五季德伯力克惊天铁案国民安保官之绝命护卫开罗紫玫瑰午夜2021伟大的转折1945背着你跳舞医生与刑警的搜查线非法移民出笼马骝粤语沙漠风暴（下）90年代秀 第三季魔法学院之六大令牌阿波罗13号