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Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院幻影侠落绕松江教父望风爱，简单奥托·布鲁姆的一生乡村里的中国古曼童歌声是千层派街角姐姐的小狼友归来记 第二季杀死汝伴快乐的大脚2只为你我魔盒：隐喻盗走卓别林皮埃尔·勃纳尔和玛莎沿江而上老练律师第一季月光光心慌慌2018金田一少年事件簿1997人民英雄（国语版）日月人鱼无双花木兰孤注一掷：尤文图斯13号囚犯有朋自远方来第三季女士与戴尔垂帘听政国语
Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.星空影院桃花影院九九影院私人影院樱花影院星辰影院青柠影院神马影院三妹影院牛马影院金牌影院幻影侠落绕松江教父望风爱，简单奥托·布鲁姆的一生乡村里的中国古曼童歌声是千层派街角姐姐的小狼友归来记 第二季杀死汝伴快乐的大脚2只为你我魔盒：隐喻盗走卓别林皮埃尔·勃纳尔和玛莎沿江而上老练律师第一季月光光心慌慌2018金田一少年事件簿1997人民英雄（国语版）日月人鱼无双花木兰孤注一掷：尤文图斯13号囚犯有朋自远方来第三季女士与戴尔垂帘听政国语